Reviews


2019

Artscope, December 2019



Of all the artists on view, it is Bertulli, whose work offers the most engagement with the complex maximalist/minimalist dichotomy.




2018

Melrose Free Press, November 26



...working on a new series of thematically related sculptures for a show at the Danforth Art Museum...




2018


Lisa Crossman, Ph.D., Curator - Fitchburg Art Museum



Bertulli connects with the literal forms of Minimalism, wittily playing up their theatricality




1999

The Boston Globe, October 8



The show packs an initial punch with big works by Catherine Bertulli and others...




1991

The Boston Sunday Globe, October 6



A local artist who went on to achieve a strong reputation




1985

The Boston Sunday Herald, January 27



Artwork used in fashion display




1984

The Christian Science Monitor, December 27



informed with an eccentric joie de vivre ... a two-dimensional celebration of color, pattern, and form




1984

The Boston Sunday Globe, December 6 



The most immediately striking thing about Catherine Bertulli's large-scale watercolors at the Barbara Krakow Gallery is their sheer happiness. The colors are hot, clear and zingy



warm and friendly; intense colors and bold patterns

1984

The Boston Herald, December 19



openly celebratory ... Instead of anger, Bertulli offers wit. Instead of despair, she creates joyous color




1984

Art in New England, January 



warm and friendly; intense colors and bold patterns




1983

The Boston Sunday Globe, August 28 



...things wild and wonderful




1983

The Boston Sunday Globe, December 26 



Catherine Bertulli ... makes jumpy, collage-like combinations of vividly colored shapes
               which resemble Matisse cutouts
.




1983

Art in America, May 



 Her saturated colors and densely packed forms conjure up Matisse and Nolde.




1980

The Boston Sunday Globe, December 14 



...her swift sparkling watercolors, pushed into a new dimension




1979

Art News, volume 78, November 11 



...syncopated spatial rhythms ... biting wit




1979

The Boston Globe, July 26 



Matisse-like watercolors, humorous and vibrant.




1978

The Boston Sunday Globe, December, 31 



exciting debut




1978

The Boston Sunday Globe, November 26 



The off-slant compositions ... spring from a fauvist tradition of color, which Bertulli treats in a fresh, engaging manner.




1978

The Boston Globe, October, 8 



An artist of delightful originality whose watercolors look like no one else's




1978

The Real Paper, April 18 



 less is more here than meets the eye.




1978

The Brookline Chronicle, April 6 



whimsey and fantasy are not dead in New England











Catherine Bertulli

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