2019 | ||
Of all the artists on view, it is Bertulli, whose work offers the most engagement with the complex maximalist/minimalist dichotomy. | ||
2018 | ||
...working on a new series of thematically related sculptures for a show at the Danforth Art Museum... | ||
2018 | ||
Bertulli connects with the literal forms of Minimalism, wittily playing up their theatricality | ||
1999 | ||
The show packs an initial punch with big works by Catherine Bertulli and others... | ||
1991 | ||
A local artist who went on to achieve a strong reputation | ||
1985 | ||
Artwork used in fashion display | ||
1984 | ||
informed with an eccentric joie de vivre ... a two-dimensional celebration of color, pattern, and form | ||
1984 | ||
The most immediately striking thing about Catherine Bertulli's large-scale watercolors at the Barbara Krakow Gallery is their sheer happiness. The colors are hot, clear and zingy | ||
warm and friendly; intense colors and bold patterns | ||
1984 | ||
openly celebratory ... Instead of anger, Bertulli offers wit. Instead of despair, she creates joyous color | ||
1984 | ||
warm and friendly; intense colors and bold patterns | ||
1983 | ||
...things wild and wonderful | ||
1983 | ||
Catherine Bertulli ... makes jumpy, collage-like combinations of vividly colored shapes | ||
1983 | ||
Her saturated colors and densely packed forms conjure up Matisse and Nolde. | ||
1980 | ||
...her swift sparkling watercolors, pushed into a new dimension | ||
1979 | ||
...syncopated spatial rhythms ... biting wit | ||
1979 | ||
Matisse-like watercolors, humorous and vibrant. | ||
1978 | ||
exciting debut | ||
1978 | ||
The off-slant compositions ... spring from a fauvist tradition of color, which Bertulli treats in a fresh, engaging manner. | ||
1978 | ||
An artist of delightful originality whose watercolors look like no one else's | ||
1978 | ||
less is more here than meets the eye. | ||
1978 | ||
whimsey and fantasy are not dead in New England | ||